A compelling performance by Arunima Pramod, brought back the enduring charm of Swathi Thirunal’s compositions in the Mohiniyattam repertoire. It was really distressing to note that…
Author: G S Paul
G S Paul
GS Paul is an eminent art columnist and critic. He has been writing for national dailies such as The Hindu for more than three decades. Currently, he is the Editorial Advisor of India Art Review.
Guru G. Venu’s bold production of Mricchakatikam explores new thematic grounds while staying rooted in the traditional Kutiyattam idiom. Among the Kutiyattam exponents, Guru G Venu…
Meet Angel Joshy, a young AI graduate whose passion for Kerala’s folklore—especially Pulluvan Pattu— has transformed her into a new voice for an ancient art. You…
As Thrissur Pooram drums reach a crescendo, we recall Parisha Vadyam—the ancient rhythm that once led the gods. Thrissur Pooram, Kerala’s grand carnival of percussion, has…
A stirring reimagination of Sita as a warrior queen through a powerful confluence of classical Indian art forms. A packed audience in the Thrissur Regional Theatre,…
Ganga Thatwam, a tribute to the Sopana aesthetics Shatkala Govinda Marar Smaraka Kala Samithy, Ramamangalam recently honoured dancer Sithara Balakrishnan, recipient of the Kerala Sangeetha Nataka…
Dr V G Salini’s Kutiyattam – Evolution of Its Female Tradition is a meticulously researched work that not only traces the role of women in this…
Penmudra is a visual tribute to women in Koodiyattam
The author shares a nostalgic reflection on ‘encounters’ with M T Vasudevan Nair, revealing his creative brilliance and personal warmth.
The Sooryakanti Festival 2024 at Thrissur’s Regional Theatre showcased the richness of Bharatanatyam The four-day Sooryakanti Festival held at Regional Theatre, Thrissur recently was essentially a…