Birju Maharaj’s meticulous practice involved memorising nuances through mirrored observation, ensuring perfect angles, and practicing relentlessly, even in his twilight years. Birju Maharaj would have turned…
Methil Devika: Dance fraternity as a whole should stay as a collective entity
Solo Mohiniyattam recital by Ameena Shanavas touched hearts for its sincerity.
Mookuthi in Mohiniyattam repertoire and exploring the cultural significance and choreographic resurgence.
Through Kurathi’s narrative, we bridge the cultural realms, connecting individuals to the spiritual legacy of Kerala.
The recent workshop on dance music emphasized mindful listening, emotional connectivity, and developing unique artistic styles.
A dancer’s exploration of Expression at the “To the Core, Introduction to Learning Ladder” workshop.
Chandanam, a Mohiniyattam choreography, from the Desi repertoire that has been developed by Guru Nirmala Paniker.
Harinie Jeevitha, a rising star in Bharatanatyam, has captivated audiences with her extraordinary skills and innovation.
Poli explores the rich tradition of Mother Goddess worship in Kerala