Facebook Twitter Instagram
    India Art Review
    • Dance
    • Music
    • Art
    • Heritage
    • Theatre
    • Books
    • Films
    • Team
    Facebook Twitter Instagram
    India Art Review
    Home»Dance»Mohiniyattam»Jagamthanamthari Adavu: The Occult Origins of Mohiniyattam- 55
    Mohiniyattam

    Jagamthanamthari Adavu: The Occult Origins of Mohiniyattam- 55

    Nirmala PanikerBy Nirmala PanikerJuly 14, 2022
    Jaganamthari Adavu
    Share
    WhatsApp Facebook Twitter LinkedIn Email Telegram

    How to perform Jagamthanamthari adavu?              

    In the last part, we discussed the first three adavus of Jaganam in Mohiniyattam. Here we are discussing the next set of Jaganam adavus.

    Jagamthanamthari Adavu 4

    Chollu

    x Jagam ta1 Nam tari2 Nagam ta3 Nam tari
    x Jagam tav Nam tariv Nagam tav Nam tari

    Hold Mushti gesture in both hands and stand in half-sit position (Aramandalam). Both Mushti-s should be facing downward.

    Then, for the ‘Jagamthanamthari’ change Mushti into Tripatakam and finally to Hamsasyam bend as shown in the picture and come back to the half-sit position and stand as shown in the fourth picture. This Adavu finishes in that position.

    Jagamthanamthari Adavu – 5

    Chollu

    x Jagam ta1 Nam tari2 Kum tari3 Ta
    x Nagam tav Nam tarix Kum tariv ta

    Do the first part of this Adavu in the same way as the previous one. Together with that do the ‘thithithei’ for the ‘kuntharitha’. From the position shown in the fourth picture take both hands upwards and get to the Samam position going through the half-sit position. In another style of Mohiniyattam this Adavu finishes in half-sit position. 

    Jagamthanamthari Adavu – 6

    Chollu

    x Jagam ta1 Nam tari2 Kum tari3 Ta
    x Nagam tav Nam tarix Kum tariv ta

    The third Adavu also starts similar to Adavu 4. The second part of the sixth Adavu is similar to the fifth Adavu except that the hand gestures used should be Mushti and Thripathaka. 

    sreekanth janardhanan
    Assisted by Sreekanth Janardhanan

    Photo Courtesy: Natanakairali Archives, Artist: Bindu Rajendran

    Video Clipping:  Mohiniyattam Artist Bindu Rajendran

    Click here to read more from this series

    Jaganam Adavus Mohiniyattam Nirmala Paniker
    Share. Facebook Twitter LinkedIn Email Telegram WhatsApp
    Previous ArticleCircus Acts: Audience is the Star of the Show – Part 14
    Next Article Lecture on Mudras
    Mudras
    Nirmala Paniker

      Guru Nirmala Paniker is a danseuse, choreographer and researcher of repute. She established Natanakaisiki, the dance research and training wing of Natanakairali.

      Related Posts

      Tholpavakoothu

      Tholpavakoothu Takes Center Stage in Mohiniyattam Performance

      February 19, 2025
      Anju Peter

      A Mesmerizing Mohiniyattam Performance

      January 18, 2025
      Keiko Okano

      Keiko Okano’s Mohiniyattam Performance: Kerala’s Dance Tradition Shines in Tokyo

      December 11, 2024

      Leave A Reply Cancel Reply

      Author In Focus VK Karthika

      Pathaan

      Pathaan: A Triumph of Love Over Hate

      V K KarthikaMarch 31, 2023

      Pathaan breaks the typical stereotype of Islamic Terrorism.

      Avatar

      Eastern Ethos Lifts up Cameron’s Avatar Sequel

      V K KarthikaJanuary 31, 2023

      Eastern ethos and laws of the nature are set to get a new tech-driven meaning as Cameron is planning two more sequels.

      Yazh

      Reviving Yazh, the Indian Harp

      V K KarthikaNovember 28, 2022

      Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

      Tholppavakoothu

      Girl Power up in Puppetry

      V K KarthikaSeptember 30, 2022

      Rajitha Ramachandra Pulavar and her team gave a new meaning to Tholppavakkooth and the body politics went in for a change in 2021

      Nanjiyamma tribal singer of Attappady

      Why the National Award for Tribal Singer Nanjiyamma Matters

      V K KarthikaAugust 27, 2022

      India witnessed a debate on the ‘purity of music’ when tribal singer Nanjiyamma won the National Award.

      EVENTS

      Nangiyarkoothu

      Celebrating 60 Years of Dance Excellence

      India Art ReviewMay 23, 2025

      Swara-dhi: A Soulful Summer Camp for Music Connoisseurs

      India Art ReviewMay 23, 2025
      Sooryakanthi festival

      Sooryakanthi Dance Festival From Nov 28- Dec 1

      India Art ReviewNovember 25, 2024

      Memorial Awards and Dance Performances in Chennai

      India Art ReviewNovember 25, 2024

      Have You Read These?

      Youth

      The Fountain of Youth

      Vineeth AbrahamMay 16, 2023

      What will happen when a bookworm set out to clean his library? One of the…

      The Elephant Whisperers

      Poetics of Fostering the Animal: The Elephant Whisperers

      Babu Rajan P PMay 1, 2023

      With the decline of natural habitats, human-elephant conflict has seen a surge, often leaving the majestic creatures as unwitting participants. “The Elephant Whisperers” documentary pays homage to the conservation endeavors aimed at preserving these habitats and raising awareness among communities about the perils of anthropocentrism.

      1899 and the Virtual Studio: Futuristic Filmmaking

      IAR DeskMarch 12, 2023

      1899, the new web series from the creators of German masterpiece Dark, will be filmed entirely in a virtual studio. Here’s all you wanted to know about ‘Volume’ and why it matters to futuristic filmmaking.

      Yazh

      Reviving Yazh, the Indian Harp

      V K KarthikaNovember 28, 2022

      Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

      A ‘Lyrical Dance’ Tribute to Edassery’s Poem

      G S PaulNovember 8, 2022

      Choreographic ingenuity of Vinitha Nedungadi created alluring visuals of the sublime poetic imagination of Edassery in Anthithiri.

      vijayakumar menon

      Vijayakumar Menon Taught Kerala How to Appreciate Art

      Renu RamanathNovember 3, 2022

      The only wealth Menon amassed during his solitary journey was that of art. When Vijayakumar…

      About
      About

      India Art Review is a dedicated digital journal of art and culture, based in Chennai and with representatives in Kerala, Delhi, the UAE, Canada and the US.

      We're social, connect with us:

      Facebook Twitter Instagram YouTube LinkedIn Telegram
      People in Art
      Manna Dey: The Classical Voice Of Bollywood

      Manna Dey: The Classical Voice Of Bollywood

      May 1, 2021
      NP Ramaswamy: Carnatic Vocalist, Lyricist and Composer

      NP Ramaswamy: Carnatic Vocalist, Lyricist and Composer

      November 5, 2020
      Shobhana Rangachari: A Lesser-Known Carnatic Vocalist

      Shobhana Rangachari: A Lesser-Known Carnatic Vocalist

      October 25, 2020
      Vintage Vignettes: Violinist T Chowdiah

      Vintage Vignettes: V.S.N on T. Chowdiah

      August 6, 2021
      Must Reads
      Mangad Natesan

      Remembering Carnatic Musician Mangad Natesan

      May 3, 2024
      P K G Nambiar

      PKG Nambiar(1930-2023): The Man who Redefined the Role of Vidooshaka

      May 10, 2023
      Kanak Rele

      Dr. Kanak Rele (1937-2023): A Revolutionary in Dance 

      February 22, 2023
      Pandit Shivkumar Sharma

      Adieu, Pandit Shivkumar Sharma

      May 10, 2022
      Facebook Twitter Instagram YouTube RSS
      • Home
      • About
      Copyright © 2022. India Art Review

      Type above and press Enter to search. Press Esc to cancel.