Usha Nangiar’s efforts have spurred a movement for inclusivity in Koodiyattam, challenging traditions and promoting women’s roles.
Author: G S Paul
G S Paul
GS Paul is an eminent art columnist and critic. He has been writing for national dailies such as The Hindu for more than three decades. Currently, he is the Editorial Advisor of India Art Review.
The recent Sufi Kathak performance at the Kerala Sangeetha Nataka Akademi featured elegant footwork, emotive abhinaya, and rhythmic tabla accompaniment.
Aparna Nangiar’s Nangiarkooth performance wows audience with masterful portrayal of Navarasas.
Justin Pachen captivates audiences with his soulful compositions and versatile performances.
Jolly Mathew, the first male Mohiniyattam dancer to be awarded the Senior Fellowship from the Ministry of Culture, Delhi.
Kanak Rele’s name is synonymous with the exquisite dance form of Mohiniyattam. Today is her birth anniversary.
A colourful portrait of ragas and rapport among artistes on stage made Sikkil Gurucharan’s recent concert enjoyable.
Renowned musician Neyveli Santhanagopalan directed the innovative Carnatic choir performance
T M Krishna’s singular spontaneity set the tone for an unforgettable evening.
The woman-centric play ‘Swairitha Prayanam’ assumes much contemporary relevance as woman empowerment still remains a distant dream even after the passing of the Women’s Representation Bill by the parliament.