In the book, Mohiniyattam, Pedagogy and Performativity, Aswathy Rajan argues the dance is still under a feudal halo.
Author: G S Paul
G S Paul
GS Paul is an eminent art columnist and critic. He has been writing for national dailies such as The Hindu for more than three decades. Currently, he is the Editorial Advisor of India Art Review.
The three-day workshop on Kanak Rele style Mohiniyattam by Sithara Balakrishnan included training sessions and a series of talks by experts.
Kunjan’s anthology of 25 poems, ‘Split-Self’ creates a world within a world with words.
How KP Narayana Pisharody’s Malayalam translation of Natya shastra rejuvenated the performing art forms of Kerala. Bharata Muni’s Natya Shastra, the age-old Sanskrit treatise and handbook on Dramaturgy,…
G Venu’s latest book ‘Arangilum, Munnilum Pinnilum’ is a deep exploration of the abhinaya guru’s artistic and instructional journey.
The Covid-19 pandemic has robbed Kadavallur Anyonyam, a unique academic exercise for the preservation of Rigveda, of its sheen. Sree Rama Temple in Kadavallur, a remote…
How percussion is still an efficient mode of communication in Africa.
Kathakali Padmanabhan Nair fused the academic as well the artistic method of the art form.
Kalamandalam Hyderali broke many barriers to become a symbol of secularism.
Aparna Nangiar makes history with Dasamam Koothu, a rare variant of Nangiarkoothu.