Natyavadyasarvabhoumam book release turns eventful with unique dance recital Release of the autobiography, ‘Natyavadyasarvabhoumam’, of the percussion wizard Nelluvai K N P Nambissan turned eventful with…
Author: G S Paul
G S Paul
GS Paul is an eminent art columnist and critic. He has been writing for national dailies such as The Hindu for more than three decades. Currently, he is the Editorial Advisor of India Art Review.
How Bhagavadajjukam, a Koodiyattam play once performed over 36 days, was adapted into a three-hour version by Painkulam Rama Chakyar, opening new possibilities for the art form.
Sakhitatva in South Indian Classical Dances” by E Vidyalakshmi is an unparalleled study on Sakhi
How L S Rajagopalan’s work enriched Kerala’s art scene When thirteen extra-large cartons were unloaded at the library of Kerala Kalamandalam Deemed to be University campus…
Neurologic Music Therapy is based on the understanding that music can stimulate and organise brain function
In the world of Koodiyattam, Painkulam Rama Chakyar stood tall as a rule-breaker and trailblazer. Koodiyattam fraternity across the country is gearing up for commemorating the…
Reimagining the Ramayana: Group performance of “Bhavayami Raghuramam” marks Kanak Rele’s legacy
Usha Nangiar’s efforts have spurred a movement for inclusivity in Koodiyattam, challenging traditions and promoting women’s roles.
The recent Sufi Kathak performance at the Kerala Sangeetha Nataka Akademi featured elegant footwork, emotive abhinaya, and rhythmic tabla accompaniment.
Aparna Nangiar’s Nangiarkooth performance wows audience with masterful portrayal of Navarasas.