This article marks the 108th and final part in the series “The Occult Origins of Mohiniyattam”
Author: Nirmala Paniker
Nirmala Paniker
Guru Nirmala Paniker is a danseuse, choreographer and researcher of repute. She established Natanakaisiki, the dance research and training wing of Natanakairali.
This article delves into the nuanced choreography of Thillana and Shlokam.
This article delves into the nuanced choreography of expressive abhinaya of Padams.
How the varnam choreography progresses through Nritha Nrithya and Manodharamam.
Exploring the choreography of Jatiswaram in mohiniyattam, a harmony of movement and music.
Cholkettu Choreography highlighting its blend of pure movements, emotional expressions, and storytelling.
Mookuthi in Mohiniyattam repertoire and exploring the cultural significance and choreographic resurgence.
Through Kurathi’s narrative, we bridge the cultural realms, connecting individuals to the spiritual legacy of Kerala.
The desi item Esal underscores the timelessness of art’s lessons, urging us to abandon quarrels for the sake of a more harmonious world. The ‘desi’ item…
Chandanam, a Mohiniyattam choreography, from the Desi repertoire that has been developed by Guru Nirmala Paniker.