The anthology Manorathangal connects with MT fans but may not appeal to newer viewers, showing the need for fresh direction.
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The anthology Manorathangal revisits MT Vasudevan’s timeless tales, blending nostalgia with uneven execution in its cinematic adaptation.
Anand Ekarshi’s award-winning “Aattam” exposes toxic masculinity and sexism driving sexual violence, critiquing a corrupt, male-dominated social order.
The film portrays diverse, relatable women, highlighting societal expectations and prejudices with sociological insights, making a case for women’s empowerment.
Annapoorani delves into the complexities of gender roles, familial expectations, and societal barriers through the lens of food.
Filmmaker Girish Kasaravalli, posits that cinema transcends mere plot or story; it is a discourse.
Directed by Shruti Saranayam, the film weaves together the intricate rhythms of Marar’s life and his mastery of thayambaka.
This article provides insights into the cinematic and narrative aspects of a bunch of M.T Vasudevan Nair’s movies.
Being a Malayali is not a geographical identity. It is a state of mind.
K.G. George, the visionary filmmaker of Malayalam cinema’s ‘new wave’ era, leaves a lasting legacy, addressing intricate human relationships, societal imbalances, and the perpetual struggles of…