Facebook Twitter Instagram
    India Art Review
    • Dance
    • Music
    • Art
    • Heritage
    • Theatre
    • Books
    • Films
    • Team
    Facebook Twitter Instagram
    India Art Review
    Home»Dance»A Conversation on Kerala’s Female Performance Traditions: Part 4
    Dance

    A Conversation on Kerala’s Female Performance Traditions: Part 4

    Sreekanth JanardhananBy Sreekanth JanardhananDecember 24, 2024
    Share
    WhatsApp Facebook Twitter LinkedIn Email Telegram

    In this segment, Nirmala Paniker shares her research on Tiruvathirakali and its links to Mohiniyattam. Both art forms, rooted in Kerala’s culture, highlight the shared traditions of women’s performances shaped by legends, rituals, and spirituality.

    Earlier, we spoke about your work on reviving Nangiarkoothu. Tiruvathirakali has also been an important part of your research on Kerala’s female performance traditions. Like Mohiniyattam, Tiruvathirakali is steeped in legends. Could you elaborate on these?

    In Kerala, several group folk dances are performed exclusively by women, with Tiruvathirakali being a prominent example. Known also as Kaikottikali, this dance form has ancient roots and is performed in small groups on special occasions. It carries semi-religious significance, functioning as a ritual to ensure a harmonious and happy marital life.

    One legend about Tiruvathirakali traces its origin to the story of Parvati, who undertakes severe penance to win Shiva as her husband. Impressed by her devotion, Shiva appears on the day of the Tiruvathira star in the month of Dhanu and promises to marry her. To commemorate this, married women perform Tiruvathirakali to sustain happiness in their marriages, while unmarried women participate to seek suitable husbands and a blissful married life.

    Another legend centres around Shiva’s meditation. To awaken Shiva’s love for Parvati, Kamadeva (Cupid) shoots his arrows at him. Enraged, Shiva opens his third eye, burning Kamadeva to ashes. His grieving wife, Rati, is comforted by Parvati, who assures her that Kamadeva will be revived and reunited with her. This blessing, given on Tiruvathira day, inspired women to celebrate the occasion by performing Tiruvathirakali.

    There are also other legends associated with the origins of this dance, further enriching its cultural and spiritual significance.

    Thiruvathira
    Kolattam in thiruvathira

    The dance of Tiruvathira is an integral part of the Tiruvathira festival, a celebration deeply rooted in Kerala’s cultural and spiritual traditions, especially among women. Could you elaborate on the specific rituals and customs associated with this festival?

    In certain parts of Kerala, the Tiruvathira festival is celebrated over eleven days, beginning on the day of the Tiruvonam star in the month of Dhanu and culminating on the Tiruvathira star day. During this period, the dance of Tiruvathirakali is performed daily. Historically, in South Kerala, the festival extended for twenty-eight days and was known as the Tiruvathira festival.

    On the day before Tiruvathira, known as Makayiram, women prepare and consume a special dish called Ettangnati, made from eight ingredients: small yam, big yam, climbing yam, unripe plantain, a type of root, beans, sugarcane, and honey. While the ingredients vary slightly in some regions, this tradition, accompanied by drinking tender coconut water and chewing betel nut, continues even today.

    On the morning of Tiruvathira, women wake early, bathe, and adorn their foreheads with sandalwood paste. They eat a light meal of baked banana and tender coconut water before beginning a day-long fast, avoiding all rice-based foods.

    What are the key rituals of the Tiruvathira day, and how does it culminate?

    A central ritual involves the collection of ten sacred flowers, known as dashapushpa, which are placed at the entrance of the house. The highlight of the day is the performance of Tiruvathirakali, which begins at dusk. Women gather to dance in a devotional atmosphere, singing traditional songs.

    Nangiyarkoothu

    As midnight approaches and the Tiruvathira star sets, the women sing devotional hymns and ceremoniously bring the dashapushpa flowers into the house, accompanied by a traditional lamp and other auspicious items. They then wear the flowers on their heads in a ritual called pathirapoochoodal, or the midnight flower ceremony. The day concludes with the singing of the Parvatiswayamvaram song, which narrates the divine union of Parvati and Shiva, as the women continue their Tiruvathirakali dance. This sequence of rituals underscores the festival’s profound cultural and spiritual resonance.

    Share. Facebook Twitter LinkedIn Email Telegram WhatsApp
    Previous ArticleLife is Like That
    Next Article MT Vasudevan Nair (1933-2024): A Life Etched in Stories and Screens
    sreekanth janardhanan
    Sreekanth Janardhanan

      Related Posts

      Sita

      The Invincible Sita

      May 1, 2025
      Ramayana

      Saamarthya – Women of Ramayana

      April 9, 2025
      Ganga Tathwam

      Spiced by Scintillating Anecdotes

      April 3, 2025

      Leave A Reply Cancel Reply

      Author In Focus VK Karthika

      Pathaan

      Pathaan: A Triumph of Love Over Hate

      V K KarthikaMarch 31, 2023

      Pathaan breaks the typical stereotype of Islamic Terrorism.

      Avatar

      Eastern Ethos Lifts up Cameron’s Avatar Sequel

      V K KarthikaJanuary 31, 2023

      Eastern ethos and laws of the nature are set to get a new tech-driven meaning as Cameron is planning two more sequels.

      Yazh

      Reviving Yazh, the Indian Harp

      V K KarthikaNovember 28, 2022

      Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

      Tholppavakoothu

      Girl Power up in Puppetry

      V K KarthikaSeptember 30, 2022

      Rajitha Ramachandra Pulavar and her team gave a new meaning to Tholppavakkooth and the body politics went in for a change in 2021

      Nanjiyamma tribal singer of Attappady

      Why the National Award for Tribal Singer Nanjiyamma Matters

      V K KarthikaAugust 27, 2022

      India witnessed a debate on the ‘purity of music’ when tribal singer Nanjiyamma won the National Award.

      EVENTS

      Sooryakanthi festival

      Sooryakanthi Dance Festival From Nov 28- Dec 1

      India Art ReviewNovember 25, 2024

      Memorial Awards and Dance Performances in Chennai

      India Art ReviewNovember 25, 2024

      Tribute to Yamini Krishnamurthy

      India Art ReviewAugust 13, 2024

      Kuchipudi Drama

      India Art ReviewMay 24, 2024

      Have You Read These?

      Youth

      The Fountain of Youth

      Vineeth AbrahamMay 16, 2023

      What will happen when a bookworm set out to clean his library? One of the…

      The Elephant Whisperers

      Poetics of Fostering the Animal: The Elephant Whisperers

      Babu Rajan P PMay 1, 2023

      With the decline of natural habitats, human-elephant conflict has seen a surge, often leaving the majestic creatures as unwitting participants. “The Elephant Whisperers” documentary pays homage to the conservation endeavors aimed at preserving these habitats and raising awareness among communities about the perils of anthropocentrism.

      1899 and the Virtual Studio: Futuristic Filmmaking

      IAR DeskMarch 12, 2023

      1899, the new web series from the creators of German masterpiece Dark, will be filmed entirely in a virtual studio. Here’s all you wanted to know about ‘Volume’ and why it matters to futuristic filmmaking.

      Yazh

      Reviving Yazh, the Indian Harp

      V K KarthikaNovember 28, 2022

      Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

      A ‘Lyrical Dance’ Tribute to Edassery’s Poem

      G S PaulNovember 8, 2022

      Choreographic ingenuity of Vinitha Nedungadi created alluring visuals of the sublime poetic imagination of Edassery in Anthithiri.

      vijayakumar menon

      Vijayakumar Menon Taught Kerala How to Appreciate Art

      Renu RamanathNovember 3, 2022

      The only wealth Menon amassed during his solitary journey was that of art. When Vijayakumar…

      About
      About

      India Art Review is a dedicated digital journal of art and culture, based in Chennai and with representatives in Kerala, Delhi, the UAE, Canada and the US.

      We're social, connect with us:

      Facebook Twitter Instagram YouTube LinkedIn Telegram
      People in Art

      Sanul Kuttan : Integrating Diverse Techniques

      May 5, 2021
      Pasumarthi Rathiah Sharma: A Protagonist of Yakshagana Bani of Kuchipudi

      Pasumarthi Rathiah Sharma: A Protagonist of Yakshagana Bani of Kuchipudi

      April 29, 2021
      Kalamandalam Gopi: Ethereal Beauty of Pacha Vesham

      Kalamandalam Gopi: Ethereal Beauty of Pacha Vesham

      May 22, 2021
      Malini Rajurkar: A Hindustani Vocalist’s Unparalleled Journey

      Malini Rajurkar: A Hindustani Vocalist’s Unparalleled Journey

      January 8, 2021
      Must Reads
      Mangad Natesan

      Remembering Carnatic Musician Mangad Natesan

      May 3, 2024
      P K G Nambiar

      PKG Nambiar(1930-2023): The Man who Redefined the Role of Vidooshaka

      May 10, 2023
      Kanak Rele

      Dr. Kanak Rele (1937-2023): A Revolutionary in Dance 

      February 22, 2023
      Pandit Shivkumar Sharma

      Adieu, Pandit Shivkumar Sharma

      May 10, 2022
      Facebook Twitter Instagram YouTube RSS
      • Home
      • About
      Copyright © 2022. India Art Review

      Type above and press Enter to search. Press Esc to cancel.