Facebook Twitter Instagram
    India Art Review
    • Dance
    • Music
    • Art
    • Heritage
    • Theatre
    • Books
    • Films
    • Team
    Facebook Twitter Instagram
    India Art Review
    Home»Dance»Mohiniyattam»Thaganam Adavu: The Occult Origins of Mohiniyattam- 51
    Mohiniyattam

    Thaganam Adavu: The Occult Origins of Mohiniyattam- 51

    Nirmala PanikerBy Nirmala PanikerJune 15, 2022
    Thaganam
    Share
    WhatsApp Facebook Twitter LinkedIn Email Telegram

    In the last three parts, we discussed various sets of Thaganam adavus of Mohiniyattam. Here we are discussing the next set of Thaganam adavus.

    ADAVU – 1

    Thom Thatha Thatheiyyam thitheyyam dhithitheiy

    Hold Hamsasyam gesture near the chest and stand in the aramandalam position. For the jathi Thom stamp the right foot in front of the left foot at a distance of about one foot from it. Bring both hands above the right foot with a circular movement holding the Ardha Chandra gesture and holding them close to the chest forming an egg shape. Bend the body towards the left.

    The eyes should focus on the left diagonal above the hands. The heel of the left foot should be lifted from the ground as in figure 1.

    For Thitha, stamp the left foot and bring the hands back to the original posture through a half-moon movement.  (figure 2).

    Bring the right foot back to half-sit position and touch the base of the right foot first and at about one foot away from the left foot and then hit the toes down. (Photo 3)

    Hold Ardha Chandra gesture and raise it above the head and move it downwards in a circle and hold it above the right foot and below the right knee. The body should be bent towards the right. And eyes should focus above the right foot. (Photo 4)

    For Thitheyyam – Take the lefthand from the chest and move above the head and towards the left with half-bend arms in Ardha Chandra gesture. Turn the face towards the left hand and hold the right hand in Hamsasya close to the chest. Move the left foot at a distance of half foot in front of the right foot. Press the toes for dhitheyya before placing down the base of the foot. (Photo 5)

    Bring the right foot to half-sit position for Thei and then hit the base of the foot two inches diagonally in the front. Hold Ardha Chandra in the right hand for this and look towards the right diagonal. Hold the left hand in half-bent position and for yyam lift the left foot and hit at the same position. For thatha bring the right foot to aramandalam position and hold hamsasya in the right hand with  no change to the eyes.

    Adavu – 2

    Tha Theyyam Thithayyam Dhimi  Theyyam Theyyam Tha Tha

    Similarly Adavu two can be done. Gesters shown in the photos.


    Photo Courtesy: Natanakairali Archives
    Artist: Keiko Okano,
    Video Clipping: Mohiniyattam Artist. Ameen Shanavas

    Ardha chandra Eye movement in Mohiniyattam Hamsasyam Mohiniyattam Thaganam
    Share. Facebook Twitter LinkedIn Email Telegram WhatsApp
    Previous ArticleThe Agam Saga   
    Next Article Circus Acts: Towards a Stronger Safety Net – Part 13
    Mudras
    Nirmala Paniker

      Guru Nirmala Paniker is a danseuse, choreographer and researcher of repute. She established Natanakaisiki, the dance research and training wing of Natanakairali.

      Related Posts

      Tholpavakoothu

      Tholpavakoothu Takes Center Stage in Mohiniyattam Performance

      February 19, 2025
      Anju Peter

      A Mesmerizing Mohiniyattam Performance

      January 18, 2025
      Keiko Okano

      Keiko Okano’s Mohiniyattam Performance: Kerala’s Dance Tradition Shines in Tokyo

      December 11, 2024

      Leave A Reply Cancel Reply

      Author In Focus VK Karthika

      Pathaan

      Pathaan: A Triumph of Love Over Hate

      V K KarthikaMarch 31, 2023

      Pathaan breaks the typical stereotype of Islamic Terrorism.

      Avatar

      Eastern Ethos Lifts up Cameron’s Avatar Sequel

      V K KarthikaJanuary 31, 2023

      Eastern ethos and laws of the nature are set to get a new tech-driven meaning as Cameron is planning two more sequels.

      Yazh

      Reviving Yazh, the Indian Harp

      V K KarthikaNovember 28, 2022

      Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

      Tholppavakoothu

      Girl Power up in Puppetry

      V K KarthikaSeptember 30, 2022

      Rajitha Ramachandra Pulavar and her team gave a new meaning to Tholppavakkooth and the body politics went in for a change in 2021

      Nanjiyamma tribal singer of Attappady

      Why the National Award for Tribal Singer Nanjiyamma Matters

      V K KarthikaAugust 27, 2022

      India witnessed a debate on the ‘purity of music’ when tribal singer Nanjiyamma won the National Award.

      EVENTS

      Nangiyarkoothu

      Celebrating 60 Years of Dance Excellence

      India Art ReviewMay 23, 2025

      Swara-dhi: A Soulful Summer Camp for Music Connoisseurs

      India Art ReviewMay 23, 2025
      Sooryakanthi festival

      Sooryakanthi Dance Festival From Nov 28- Dec 1

      India Art ReviewNovember 25, 2024

      Memorial Awards and Dance Performances in Chennai

      India Art ReviewNovember 25, 2024

      Have You Read These?

      Youth

      The Fountain of Youth

      Vineeth AbrahamMay 16, 2023

      What will happen when a bookworm set out to clean his library? One of the…

      The Elephant Whisperers

      Poetics of Fostering the Animal: The Elephant Whisperers

      Babu Rajan P PMay 1, 2023

      With the decline of natural habitats, human-elephant conflict has seen a surge, often leaving the majestic creatures as unwitting participants. “The Elephant Whisperers” documentary pays homage to the conservation endeavors aimed at preserving these habitats and raising awareness among communities about the perils of anthropocentrism.

      1899 and the Virtual Studio: Futuristic Filmmaking

      IAR DeskMarch 12, 2023

      1899, the new web series from the creators of German masterpiece Dark, will be filmed entirely in a virtual studio. Here’s all you wanted to know about ‘Volume’ and why it matters to futuristic filmmaking.

      Yazh

      Reviving Yazh, the Indian Harp

      V K KarthikaNovember 28, 2022

      Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

      A ‘Lyrical Dance’ Tribute to Edassery’s Poem

      G S PaulNovember 8, 2022

      Choreographic ingenuity of Vinitha Nedungadi created alluring visuals of the sublime poetic imagination of Edassery in Anthithiri.

      vijayakumar menon

      Vijayakumar Menon Taught Kerala How to Appreciate Art

      Renu RamanathNovember 3, 2022

      The only wealth Menon amassed during his solitary journey was that of art. When Vijayakumar…

      About
      About

      India Art Review is a dedicated digital journal of art and culture, based in Chennai and with representatives in Kerala, Delhi, the UAE, Canada and the US.

      We're social, connect with us:

      Facebook Twitter Instagram YouTube LinkedIn Telegram
      People in Art
      Gazaljeet: Remembering the Ghazal Journey of Jagjit Singh

      Gazaljeet: Remembering the Ghazal Journey of Jagjit Singh

      February 8, 2021
      Pasumarthi Rathiah Sharma: A Protagonist of Yakshagana Bani of Kuchipudi

      Pasumarthi Rathiah Sharma: A Protagonist of Yakshagana Bani of Kuchipudi

      April 29, 2021
      craft museum

      Mud Houses, Many-Hued Toys & Mulberry Carvings

      October 19, 2020
      NP Ramaswamy: Carnatic Vocalist, Lyricist and Composer

      NP Ramaswamy: Carnatic Vocalist, Lyricist and Composer

      November 5, 2020
      Must Reads
      Mangad Natesan

      Remembering Carnatic Musician Mangad Natesan

      May 3, 2024
      P K G Nambiar

      PKG Nambiar(1930-2023): The Man who Redefined the Role of Vidooshaka

      May 10, 2023
      Kanak Rele

      Dr. Kanak Rele (1937-2023): A Revolutionary in Dance 

      February 22, 2023
      Pandit Shivkumar Sharma

      Adieu, Pandit Shivkumar Sharma

      May 10, 2022
      Facebook Twitter Instagram YouTube RSS
      • Home
      • About
      Copyright © 2022. India Art Review

      Type above and press Enter to search. Press Esc to cancel.