Facebook Twitter Instagram
    India Art Review
    • Dance
    • Music
    • Art
    • Heritage
    • Theatre
    • Books
    • Films
    • Team
    Facebook Twitter Instagram
    India Art Review
    Home»Dance»Mohiniyattam»The Occult Origins of Mohiniyattam – 64
    Mohiniyattam

    The Occult Origins of Mohiniyattam – 64

    Nirmala PanikerBy Nirmala PanikerSeptember 8, 2022
    Sammishram Adavu
    Share
    WhatsApp Facebook Twitter LinkedIn Email Telegram

    Sammishram Adavus are the last group of basic adavus taught to a Mohiniyattam student. 

    In the last two series, we discussed three Sammisharam adavus. Here we are elaborating the next two adavus in the Sammisharam group. 

    Sammishram adavu:

    Tham kita tha thitha 2

    xTam kita1Tathi2Tarikita3DhimitakaxTonkuvThlankuxTadhimvKina
    Selected photos from Thangida tha thitha

    Stand in aramandalam with both arms bent in Muzhuvrittam with Mushti Hastha held in front of chest; right fist held facing downwards and left held facing upwards. Bend the torso towards the left and stamp the right foot twice on the spot for ‘Thangida Tha Thith’. At this time shake the wrists forward and backwards, twice, ever so slightly. Step the right foot out to right side for ‘Tharikida’ while opening the palms in tripathaka and flipping it to the opposite direction as shown in image. Sway the torso towards the right while doing this movement. Stamp the left foot in the same spot for ‘Dhimi Thaka’. For ‘Thongu’ step the right foot behind the left on its toes and begin to flip the palms in the opposite direction. Sway torso to the left. Stamp the left foot flat on the spot for ‘Thlangu’ while completing the flipping of the palms as shown in image. Stamp the right foot twice for ‘Thadhim Kinnam’ and flip the palms again while the torso bends towards the right. Repeat the entire sequence to the left.

    Tham Tha Ritha Dhintha 3

    xTham 1Tha2Ri tha3DhinthaxDhimvDhixMitavDhintha
    Selected photos from Tham Tha Ritha Dhintha

    Begin the adavu in aramandalam with right arm bent and palm held in Ardhachandran slightly below shoulder level. Left arm should be bent and palm held in Hamsasya Hastha mudra at ear level. For Tham step towards the right with the right foot and sway the body softly towards the right. For ‘Tha Ri tha’, stamp the left foot on the spot and softly begin to sway the torso back and return to centre. Change the mudra of the right hand to Hamsasya and left to Ardhachandran for ‘Dhim Dhi Mita’. Look towards the left hand. At this time place the right foot on its toes behind the left, followed by stamping the left foot on the spot. For ‘Dhinta’, the right foot that is placed behind the left on its toes, followed by a stamp of the left foot on the spot followed by bringing back the right foot next to the left and end in an aramandalam stance. Torso bends towards the right. Rotate the right palm in Ardhachandran outwards and end it in Hamsasya mudra as shown in image. 

    Do the entire sequence to the left.

    sreekanth janardhanan
    Assisted by Sreekanth Janardhanan

    Photo Courtesy : Natanakairali Archives

    Artists : Bindu Rajendren, Sruthi KP

    Video Clipping: Ms. Nisha Ranjith 

    adavus Hasta Mudras mohiniyattam dance Nirmala Paniker Sammishram
    Share. Facebook Twitter LinkedIn Email Telegram WhatsApp
    Previous ArticleT V Sankaranarayanan(1945-2022): Vocalist Extraordinaire
    Next Article Kalamandalam Satyabhama Remembarance day
    Mudras
    Nirmala Paniker

      Guru Nirmala Paniker is a danseuse, choreographer and researcher of repute. She established Natanakaisiki, the dance research and training wing of Natanakairali.

      Related Posts

      Tholpavakoothu

      Tholpavakoothu Takes Center Stage in Mohiniyattam Performance

      February 19, 2025
      Anju Peter

      A Mesmerizing Mohiniyattam Performance

      January 18, 2025
      Keiko Okano

      Keiko Okano’s Mohiniyattam Performance: Kerala’s Dance Tradition Shines in Tokyo

      December 11, 2024

      Leave A Reply Cancel Reply

      Author In Focus VK Karthika

      Pathaan

      Pathaan: A Triumph of Love Over Hate

      V K KarthikaMarch 31, 2023

      Pathaan breaks the typical stereotype of Islamic Terrorism.

      Avatar

      Eastern Ethos Lifts up Cameron’s Avatar Sequel

      V K KarthikaJanuary 31, 2023

      Eastern ethos and laws of the nature are set to get a new tech-driven meaning as Cameron is planning two more sequels.

      Yazh

      Reviving Yazh, the Indian Harp

      V K KarthikaNovember 28, 2022

      Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

      Tholppavakoothu

      Girl Power up in Puppetry

      V K KarthikaSeptember 30, 2022

      Rajitha Ramachandra Pulavar and her team gave a new meaning to Tholppavakkooth and the body politics went in for a change in 2021

      Nanjiyamma tribal singer of Attappady

      Why the National Award for Tribal Singer Nanjiyamma Matters

      V K KarthikaAugust 27, 2022

      India witnessed a debate on the ‘purity of music’ when tribal singer Nanjiyamma won the National Award.

      EVENTS

      Nangiyarkoothu

      Celebrating 60 Years of Dance Excellence

      India Art ReviewMay 23, 2025

      Swara-dhi: A Soulful Summer Camp for Music Connoisseurs

      India Art ReviewMay 23, 2025
      Sooryakanthi festival

      Sooryakanthi Dance Festival From Nov 28- Dec 1

      India Art ReviewNovember 25, 2024

      Memorial Awards and Dance Performances in Chennai

      India Art ReviewNovember 25, 2024

      Have You Read These?

      Youth

      The Fountain of Youth

      Vineeth AbrahamMay 16, 2023

      What will happen when a bookworm set out to clean his library? One of the…

      The Elephant Whisperers

      Poetics of Fostering the Animal: The Elephant Whisperers

      Babu Rajan P PMay 1, 2023

      With the decline of natural habitats, human-elephant conflict has seen a surge, often leaving the majestic creatures as unwitting participants. “The Elephant Whisperers” documentary pays homage to the conservation endeavors aimed at preserving these habitats and raising awareness among communities about the perils of anthropocentrism.

      1899 and the Virtual Studio: Futuristic Filmmaking

      IAR DeskMarch 12, 2023

      1899, the new web series from the creators of German masterpiece Dark, will be filmed entirely in a virtual studio. Here’s all you wanted to know about ‘Volume’ and why it matters to futuristic filmmaking.

      Yazh

      Reviving Yazh, the Indian Harp

      V K KarthikaNovember 28, 2022

      Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

      A ‘Lyrical Dance’ Tribute to Edassery’s Poem

      G S PaulNovember 8, 2022

      Choreographic ingenuity of Vinitha Nedungadi created alluring visuals of the sublime poetic imagination of Edassery in Anthithiri.

      vijayakumar menon

      Vijayakumar Menon Taught Kerala How to Appreciate Art

      Renu RamanathNovember 3, 2022

      The only wealth Menon amassed during his solitary journey was that of art. When Vijayakumar…

      About
      About

      India Art Review is a dedicated digital journal of art and culture, based in Chennai and with representatives in Kerala, Delhi, the UAE, Canada and the US.

      We're social, connect with us:

      Facebook Twitter Instagram YouTube LinkedIn Telegram
      People in Art
      Shivarama Karanth and Leela Karanth

      Shivarama and Leela Karanth: A Life History

      October 20, 2021
      Pandit Shivkumar Sharma

      Adieu, Pandit Shivkumar Sharma

      May 10, 2022
      Kalamandalam John

      Kalamandalam John: Kerala’s Lone Christian Kathakali Artist Celebrates Golden Jubilee

      July 8, 2021
      K P Narayana Pisharody: A Colossus of His Times

      K P Narayana Pisharody: A Colossus of His Times

      March 25, 2021
      Must Reads
      Mangad Natesan

      Remembering Carnatic Musician Mangad Natesan

      May 3, 2024
      P K G Nambiar

      PKG Nambiar(1930-2023): The Man who Redefined the Role of Vidooshaka

      May 10, 2023
      Kanak Rele

      Dr. Kanak Rele (1937-2023): A Revolutionary in Dance 

      February 22, 2023
      Pandit Shivkumar Sharma

      Adieu, Pandit Shivkumar Sharma

      May 10, 2022
      Facebook Twitter Instagram YouTube RSS
      • Home
      • About
      Copyright © 2022. India Art Review

      Type above and press Enter to search. Press Esc to cancel.