Facebook Twitter Instagram
    India Art Review
    • Dance
    • Music
    • Art
    • Heritage
    • Theatre
    • Books
    • Films
    • Team
    Facebook Twitter Instagram
    India Art Review
    Home»Books»Book Extract»Mithan Jamshed Lam: Championing India’s Suffragette Movement
    Book Extract

    Mithan Jamshed Lam: Championing India’s Suffragette Movement

    India Art ReviewBy India Art ReviewOctober 14, 2021
    Books and Pages
    Share
    WhatsApp Facebook Twitter LinkedIn Email Telegram

    Excerpt from Coomi Kapoor’s book The Tatas, Freddie Mercury & Other Bawas on the role of Parsi championing women’s rights in India.

    Bhikhaiji Cama, who is discussed in greater detail in a later chapter, is probably the best-known Parsi woman and exemplified two important characteristics seen in many Parsi women: empowerment and a deep social conscience. But even before Bhikhaiji, Parsi women occupied important roles within their families and were not restricted to domestic chores. Some of the women in the Wadia and Readymoney families, for instance, helped run the family businesses. Bhikhaiji played a major role in the freedom struggle, but she was not the only one. True, the revolutionary instinct of many Parsi women was snuffed out by their families whenever possible. Dhanbai Petit, for instance, came down to breakfast in a khadi sari, only to be ordered by her mother, Maneckbai, to go back and change. Maneckbai told her daughter that the Petits were a family loyal to the king and that if Dhanbai wanted to follow Gandhi, she might think about leaving home and moving to his ashram. Dhanbai obediently went upstairs and changed.

    But another aristocratic Petit girl, Mithuben, defied her family rather than renounce her principles. The daughter of Sir Dinshaw Petit, Mithuben had followed Mahatma Gandhi since his return from South Africa. She stood behind Gandhi-ji at Dandi (then Navsari) on 6 April 1930 when he broke the British Raj’s salt laws. (Mithuben is one of the main figures in Deviprasad Roychowdhury’s iconic sculpture in Delhi depicting the march to Dandi.) Two years earlier, she participated in a campaign headed by Sardar Patel against taxes imposed by the British. Mithuben took up social work fulltime and opened an ashram in Maroli, Gujarat, for poor tribal and scheduled caste children. She taught them useful skills, from handling sewing machines to leather work and dairy farming. She also opened a hospital for the mentally ill.

    Progressive Parsi women can take the credit for breaking many glass ceilings for Indian women. Cornelia Sorabji, who came from a Parsi family that converted to Christianity, was the first woman to graduate from Bombay University, passing the exams with flying colours. She went on to study law at Oxford University in 1892; in those days, Oxford did not grant women degrees, so when she returned to India, Cornelia did her LLB from Bombay University. It took until 1923 for her to be admitted to the Bar after the law was changed to allow women to enter the profession. She practiced in the Allahabad High Court, but she worked mostly with purdahnashins, women who observed purdah and as a result were ignorant of their legal rights in India, including their shares in the estates of fathers and husbands who had died. She wrote several books on her experiences and two autobiographies.

    Book extract: The Tatas, Freddie Mercury & Other Bawas
    Book extract: The Tatas, Freddie Mercury & Other Bawas

    Book Details:
    The Tatas, Freddie Mercury & Other Bawas: An Intimate History of the Parsis
    By Coomi Kapoor
    Westland Non-fiction
    Pages: 320
    Price: Rs 256
    Publishing Date: 12 July 2021

    Technically, though, the honour of being the first Indian woman barrister goes to another Parsi, Mithan Jamshed Lam (née Tata), who studied law at Lincoln’s Inn, London, when women had just begun to be permitted to practise as barristers. In fact, in 1923, Mithan had the distinction of being the first woman ever called to the Bar from Lincoln’s Inn, as well as the first Indian woman to be called to the Bar in Britain.

    Mithan’s interest in law was aroused because of her championship of the suffragette movement. She and her mother Herabai Tata, while on a holiday in Kashmir in 1911, had a chance encounter with Sophie Duleep Singh, a feminist who proudly flaunted the badge ‘Votes for Women’. Both Mithan and her mother were drawn to the cause, despite reservations from some in the freedom movement who felt that fighting for independence from colonial rule should be the priority. The struggle for gender equality should in the meanwhile take a backseat. Mithan saw no contradiction between the two demands. ‘Men say Home Rule is our birthright. We say the right to vote is our birthright and we want it,’ she declared in 1918, paraphrasing Gandhi-ji’s famous words. Mithan and her mother were selected by women’s groups in Bombay to represent their view before the British parliament, which was considering a package of reforms later to become known as the Montagu-Chelmsford Reforms. While unsuccessful in the immediate goal, the British parliament did leave the issue to the discretion of individual Indian provinces. In 1921, both Madras and Bombay presidencies granted limited women’s franchise.

    While in London to plead the women’s cause, Mithan also pursued a legal education and a master’s degree in economics from the London School of Economics. When she returned to India, she found herself the sole female lawyer in the all-male Bombay High Court. ‘I felt like a new animal in the zoo,’ she recalled. According to court lore, she got her first case because the client had instructed the solicitor to engage the only woman lawyer as it would be a double humiliation for his opponent when he lost. However, she soon built up a formidable reputation on the strength of her legal skills. Her cases ranged from prosecuting currency counterfeiters to defending the validity of a Jewish betrothal.

    (Excerpted with permission from The Tatas, Freddie Mercury & Other Bawas: An Intimate History of the Parsis by Coomi Kapoor, published by Westland Non-fiction)

    Write to us at [email protected]

    book extract coomi kapoor freddie mercury gender equality parsi suffragette tatas the tata group westland
    Share. Facebook Twitter LinkedIn Email Telegram WhatsApp
    Previous ArticleNedumudi Venu (1948-2021): An Actor Malayalam Cinema Lost Twice
    Next Article How VM Kutty Raised the Bar on Maappilappaattu
    India Art Review
    India Art Review
    • Website

    Related Posts

    Parisha Vadyam

    Parisha Vadyam: Where Kerala’s Percussive Legacy Began

    May 6, 2025

    Whispers of Rain and Redemption: A Journey Through “What Else Is Rain?”

    March 13, 2025
    Stephen King

    King of the Macabre

    February 23, 2025

    Leave A Reply Cancel Reply

    Author In Focus VK Karthika

    Pathaan

    Pathaan: A Triumph of Love Over Hate

    V K KarthikaMarch 31, 2023

    Pathaan breaks the typical stereotype of Islamic Terrorism.

    Avatar

    Eastern Ethos Lifts up Cameron’s Avatar Sequel

    V K KarthikaJanuary 31, 2023

    Eastern ethos and laws of the nature are set to get a new tech-driven meaning as Cameron is planning two more sequels.

    Yazh

    Reviving Yazh, the Indian Harp

    V K KarthikaNovember 28, 2022

    Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

    Tholppavakoothu

    Girl Power up in Puppetry

    V K KarthikaSeptember 30, 2022

    Rajitha Ramachandra Pulavar and her team gave a new meaning to Tholppavakkooth and the body politics went in for a change in 2021

    Nanjiyamma tribal singer of Attappady

    Why the National Award for Tribal Singer Nanjiyamma Matters

    V K KarthikaAugust 27, 2022

    India witnessed a debate on the ‘purity of music’ when tribal singer Nanjiyamma won the National Award.

    EVENTS

    Nangiyarkoothu

    Celebrating 60 Years of Dance Excellence

    India Art ReviewMay 23, 2025

    Swara-dhi: A Soulful Summer Camp for Music Connoisseurs

    India Art ReviewMay 23, 2025
    Sooryakanthi festival

    Sooryakanthi Dance Festival From Nov 28- Dec 1

    India Art ReviewNovember 25, 2024

    Memorial Awards and Dance Performances in Chennai

    India Art ReviewNovember 25, 2024

    Have You Read These?

    Youth

    The Fountain of Youth

    Vineeth AbrahamMay 16, 2023

    What will happen when a bookworm set out to clean his library? One of the…

    The Elephant Whisperers

    Poetics of Fostering the Animal: The Elephant Whisperers

    Babu Rajan P PMay 1, 2023

    With the decline of natural habitats, human-elephant conflict has seen a surge, often leaving the majestic creatures as unwitting participants. “The Elephant Whisperers” documentary pays homage to the conservation endeavors aimed at preserving these habitats and raising awareness among communities about the perils of anthropocentrism.

    1899 and the Virtual Studio: Futuristic Filmmaking

    IAR DeskMarch 12, 2023

    1899, the new web series from the creators of German masterpiece Dark, will be filmed entirely in a virtual studio. Here’s all you wanted to know about ‘Volume’ and why it matters to futuristic filmmaking.

    Yazh

    Reviving Yazh, the Indian Harp

    V K KarthikaNovember 28, 2022

    Without Tharun, Yazh, an ancient instrument would not have taken birth in modern times

    A ‘Lyrical Dance’ Tribute to Edassery’s Poem

    G S PaulNovember 8, 2022

    Choreographic ingenuity of Vinitha Nedungadi created alluring visuals of the sublime poetic imagination of Edassery in Anthithiri.

    vijayakumar menon

    Vijayakumar Menon Taught Kerala How to Appreciate Art

    Renu RamanathNovember 3, 2022

    The only wealth Menon amassed during his solitary journey was that of art. When Vijayakumar…

    About
    About

    India Art Review is a dedicated digital journal of art and culture, based in Chennai and with representatives in Kerala, Delhi, the UAE, Canada and the US.

    We're social, connect with us:

    Facebook Twitter Instagram YouTube LinkedIn Telegram
    People in Art

    Sanul Kuttan : Integrating Diverse Techniques

    May 5, 2021
    Kalamandalam Sugandhi: The Versatile and Vivacious Mohiniyattam Guru

    Kalamandalam Sugandhi: The Versatile and Vivacious Mohiniyattam Guru

    December 2, 2020
    Kalamandalam Satheesan: Make-up Hand for Koodiyattam & Kathakali

    Kalamandalam Satheesan: Make-up Hand for Koodiyattam & Kathakali

    December 25, 2020
    V.S.N: The First Music Critic of Kerala

    V.S.N: The First Music Critic of Kerala

    July 1, 2021
    Must Reads
    Mangad Natesan

    Remembering Carnatic Musician Mangad Natesan

    May 3, 2024
    P K G Nambiar

    PKG Nambiar(1930-2023): The Man who Redefined the Role of Vidooshaka

    May 10, 2023
    Kanak Rele

    Dr. Kanak Rele (1937-2023): A Revolutionary in Dance 

    February 22, 2023
    Pandit Shivkumar Sharma

    Adieu, Pandit Shivkumar Sharma

    May 10, 2022
    Facebook Twitter Instagram YouTube RSS
    • Home
    • About
    Copyright © 2022. India Art Review

    Type above and press Enter to search. Press Esc to cancel.