The writer, who edited the work Vyangyavyakhya explains the concept of Dhvani and how theatre art forms in Kerala deviated from NatyaShastra
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Vintage Vignettes: V.S.N on Palghat Rama Bhagavather
Yog Darshan – The Story of Yoga, traces a comprehensive history of yoga in India through music and visuals.
Sankaracharya mentions the lasya or grace of the Goddess in several of his verses, while the recurring theme of Mohiniyattam – the pain of a Nayika separated from the Nayaka, can be metaphorically compared to Jīvātma yearning to be reunited with the Paramātma.
There are a host of relatively unsung writers who are as witty as Jerome K Jerome or Mark Twain, and are worthy of reading and even re-reading, says the author, giving a glimpse of some of his favourites — Richard Armour, Tom Sharpe and Henry Cecil among them
Violinist Parur Sundaram Iyer was popular among all kinds of music connoisseurs owing to his knowledge of both oriental and occidental styles of music, wrote V. S. Namboothiripad, Kerala’s first music critic, in 1954, specifically mentioning the violinist’s visit to Kabul in Afghanistan as a representative of Indian music
A first-of-its-kind museum dedicated to the art, history and science of photography.
Sangeeta Lahari – Geetam, Vaadyam and Nrityam, is a rare synergy of artistic brilliance and a cherished possession for the dancer fraternity.
The manuals for several Kerala art forms like Koodiyāṭṭaṁ and Nangiārkūttụ are said to have been formed during the age of the Kulasekharas, who followed the Chera dynasty in Kerala. The current day Mohiniyattam can be considered a dance form in the lasya style which imbibed the core principles of many ancient dance forms of Chera influence
Hailing from Tokyo, Japan, the writer Keiko Okano has been practising and performing Mohiniyattam in Kerala for more than a decade now, shuttling between Kerala and Tokyo. This is a brief story of her journey to Kerala, to becoming a Mohiniyattam dancer.