How Bhagavadajjukam, a Koodiyattam play once performed over 36 days, was adapted into a three-hour version by Painkulam Rama Chakyar, opening new possibilities for the art form.
Browsing: Koodiyattam
How L S Rajagopalan’s work enriched Kerala’s art scene When thirteen extra-large cartons were unloaded at the library of Kerala Kalamandalam Deemed to be University campus…
In the world of Koodiyattam, Painkulam Rama Chakyar stood tall as a rule-breaker and trailblazer. Koodiyattam fraternity across the country is gearing up for commemorating the…
A farewell to the maestro of Mizhavu, P K Narayanan Nambiar, whose legacy transcends Koodiyattam. P. K. Narayanan Nambiar, a luminary in the relam of Koodiyattam…
Kapila Venu’s groundbreaking performance of Parvathi Viraham in Nangiarkoothu takes Koodiyattam to new heights.
This unique actor’s training program, designed by G. Venu, celebrated its centenary batch, with participants presenting their talents at Natanakairali’s refurbished space. There is something magical…
Girija is an owner of many ‘firsts’ in Koodiyattam
Veenapani Chawla was an actor, director, choreographer, writer and composer and is a name to reckon with in experimental contemporary theatre in the country. Born of…
Kapila Venu in conversation with India Art Review’s Aroma Warsi. In a candid and insightful conversation, the young practitioner of Kerala’s ancient theatre of Sanskrit plays, opens up on the art, politics and heritage of Koodiyattam and how she’s evolved as a student and exponent of the complex, enchanting theatre form. Tune in.
The book explores Kudiyattam as a phenomenon and the triangular relationship among the ways of doing of the performers, the ways of seeing of the audience…