Unlike his Kritis praising Krishna, Oothukkadu Venkata Kavi’s compositions praising lord Shiva are not popular. But they are unique in many ways.
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Chaitanya Tamhane’s The Disciple explores the burden of self-expectation and the price one pays for a perceived notion of mediocrity.
Bollywood film Mimi raises several concerns around surrogacy in India. Commercial surrogacy comes with health, mental hazards. It can’t become a poverty eradication programme.
Rakhi Sarkar is the founder of CIMA (Centre of International Modern Art), one of India’s premier art centres.
Hollywood, Bollywood and Malayalam movies opened up a new world to a little boy who shifted to Trivandrum in the early 1970s.
This is the story of a boy who was initiated into the wild west at an open movie theatre inside an army Cantonment in India. This was the 1970s and raging in the air was a war.
How KP Narayana Pisharody’s Malayalam translation of Natya shastra rejuvenated the performing art forms of Kerala. Bharata Muni’s Natya Shastra, the age-old Sanskrit treatise and handbook on Dramaturgy,…
The journey on the Kalpa-Roghi road, one of the most dangerous roads in Asia, famed for the Suicide Point in Kinnaur district is scary as well as thrilling.
In this part of the series, MT: Malayalam’s Talisman, we dissect three films that formed MT’s political trilogy.
Making people laugh and forget their cares is probably the most difficult craft. However, some of the terrific humour writers have done just that