A versatile Mohiniyattam performer and a choreographer, Kalamandalam Rachitha expatiates on the intrinsic values of the book Balaramabharatham.
Browsing: Koodiyattam
The writer reminisces the immortal contributions of her grandfather, Koodiyattam virtuoso Mani Madhava Chakyar and his son PKG Nambiar, for popularising Koodiyattam across the country.
As a historical monument, the architecturally exquisite Koothambalam at the Vadakkuunathan temple, tells us many interesting stories of yesteryear artists.
Indian classical dance is a call within my Jesuit call. This art form helps me to convey my belief and convictions to the people.
Prof KP Narayana Pisharody’s strong efforts to uplift Koodiyattam eventually helped the art form to get it officially recognised by UNESCO
Kalamandalam Vasu Pisharody’s Kathakali career earned new sheen when the maestro recently won the Kerala Sangeetha Nataka Akademi fellowship.
Elevating sanskrit theatre from the folk tradition, Natyashastra reformed it. But, at present, Koodiyattam is the only surviving link to its past.
The art form Sanskrit Theatre was redefined by Bharata’s Natyasastra and influenced by philosophers and scholars
Senior and young exponents of Koodiyattam and Nangiarkoothu suggest virtual shows and online classes as means to retain the spirit of the two ancient theatres. Highlights from a recent panel discussion.
A strict disciplinarian, Koodiyattam exponent Ammannur Parameswara Chakyar , never performed outside Koothambalams For Ammannur Chachu Chakyar Smaraka Gurukulam, Irinjalakuda, the New Year commences with a…