Chidambaram’s Balan: The Boy is rich in atmosphere and technical excellence, yet its weak character writing and shaky dramatic logic leave it emotionally detached. There is…
Chidambaram’s Balan: The Boy is rich in atmosphere and technical excellence, yet its weak character writing and shaky dramatic logic leave it emotionally detached. There is…
Being a Malayali is not a geographical identity. It is a state of mind.