His raga rendition is marked by natural phirat, fast tans, infallible rhythm and imaginative content.
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Uddhita Parshwakonasana helps a dancer to perfect ardhasuchi or ardhamandala posture
The purpose of Parivritta trikonasana is to stretch the muscles of the back of the thigh (hamstrings) and help the hip joints (adductor muscles) to facilitate adavus.
Practising and gaining proficiency over Vrikshasana leads to the stability of both the mind and body.
A dancer should at first learn to stand that imparts an aesthetic sense to her stature. Thadasana helps to accomplish it.
Vasundhara Doraswamy, renowned guru and exponent of Bharatanatyam and yoga, is a torchbearer of Pandanallur style of the art form. India Art Review will be publishing…
Dancers can perfect mandiadavus and better many traditional postures by practising Veerabhadrasana.
Yog Darshan – The Story of Yoga, traces a comprehensive history of yoga in India through music and visuals.
There are a host of relatively unsung writers who are as witty as Jerome K Jerome or Mark Twain, and are worthy of reading and even re-reading, says the author, giving a glimpse of some of his favourites — Richard Armour, Tom Sharpe and Henry Cecil among them
Shiva matters only when it exists in union with Bhairavi. She appears as Mohini, an enchantress, in front of the meditating Bhairava