Rediscovering Mohiniyattam’s roots; the desi repertoire journey.
Exit of Vasu Pisharody marks the finale of Vazhenkada style in Kathakali
While performing the adavus there are many do’s and don’ts that a dancer should imbibe over many years of training. Till now we discussed different classes…
Codified adavus are introduced to young aspirants of Mohiniyattam once they gain control and balance over their body while dancing After traversing through the essentials of…
Milena Salvini, the famous artist of Kearala’s classical theatre forms.
Nirmala Panicker describes the routes she traveled to research Mohiniyattam.
Kalamandalam Hyderali broke many barriers to become a symbol of secularism.
Kalamandalam Gopi loomed as an incomparable artist and a complete actor.
‘Krishnayanam’, a comprehensive exploration on Kanjur Krishnan Namboothiripad, has the elements of biography, autobiography and a memoir
Kalamandalam Vasu Pisharody’s Kathakali career earned new sheen when the maestro recently won the Kerala Sangeetha Nataka Akademi fellowship.